JAMS
Before coming to a jam, please review the Important Info below, including what to wear/bring, waiver, values, code of conduct, FAQ’s, and accessibility info.
Please arrive 5 to 10 min before the start of the jam to sign-in and change. Entry to the building is only granted 15 min before and 15 min after a jam starts.
For more information, please contact us at: info@edamdance.org.
If cost is a barrier and you are interested in attending a jam, please email us at: info@edamdance.org.
photo: Arash, Antonio, and Anne by Chris Randle, 2023
OPEN JAM
FIRST AND THIRD SUNDAY OF THE MONTH, 7 - 9PM
with Anne Cooper
Pre-register or Drop-In: $15
5-Jam Card: $10/jam
Open to all. No instruction. Anne Cooper holds the space.
photo: Sierra, Natalie, Kay by Sierra, 2024
BIPOC JAM
Pre-register or Drop-In: $15
5-Jam Card: $10/jam
Fall 2026 Schedule:
October 11th, 3:30 - 5:30 PM
hosted by Regalito Felipe
with live improvised music by RCHRDYNovember 15th, 3:30 - 5:30 PM
hosted by George Zheng Berking
with live improvised music by Alex Mah
Newcomers: If you have never done Contact before, please come to one of our classes before attending a jam. The jam is a leaderless space for CI practice without instruction. If you are curious about attending a jam for the first time, please email us beforehand.
Jam Format: Hosts hold a welcoming space for this CI practice. This jam typically begins with an opening circle followed by a lightly-facilitated, optional, warm-up to bring us into our arriving bodies. We then move into open jam time. Sometimes, we experiment with scores for our jam. We end together with a closing circle. Some familiarity with Contact is required.
Cost: Please email us at info@edamdance.org if you are interested in attending and cost is a barrier.
Email List: Please email us if you are interested in receiving updates about upcoming BIPOC classes and jams.
BIPOC: This class is an affinity group space for those who self-identify as BIPOC (Black, Indigenous, Person of Colour).
JAM HOSTS
Anne Cooper by Jane Ellison
Anne Cooper has danced with EDAM since 1994, studying Contact Improvisation with Peter Bingham and performing in EDAM's work, both structured improvisations and choreography. She has researched and performed with Nancy Stark Smith through Nancy's 'Glimpse Performance Installations' in the U.S.A. Anne has taught/facillitated CI since 2001 in Vancouver and other locales through classes, Jams and workshops. She has created and performed her own work and has danced with many Canadian companies/choreographers. Anne has trained in contemporary dance and CI; her CI teachers include Peter Bingham, Nancy Stark Smith, Jaci Metivier, Andrew Harwood, Chris Aiken, Ray Chung and others and some study with Steve Paxton (Material For the Spine) and recently, Nora Hajos (Material For the Spine). Anne is grateful to live and work in Vancouver, BC, on the ancestral and unceded lands of the Musqueam, Squamish and Tsliel-Waututh First Nations.
Natalie Tin Yin Gan by Dayna Szyndrowski
Natalie Tin Yin Gan (顏婷妍) is an independent dance artist, writer, and teacher based in so-called Vancouver, on the unceded ancestral lands of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Her practice squats (120 lb) at the intersection of spirit, somatics, and technology-induced melancholy. Natalie is the Co-Artistic Director of company Hong Kong Exile that explores the historical and contemporary politic of the Chinese diaspora. She is also the smaller half of vulva clown duo, Pulsive Party. She is a graduate of The Writer’s Studio and a certified teacher of Fitzmaurice Voicework®. Natalie is a late sleeper, a late riser, a late bloomer, a latecomer, and a late-night snacker. nataliegan.com
IMPORTANT INFO
What is Contact Improvisation?
Contact Improvisation (CI) is an improvised dance, involving non-verbal communication between bodies moving through physical contact. It is a meditation on presence and somatic awareness, as well as a play of physics using gravity, momentum, and inertia to inspire dancing together. Every moment is a collaboration with a focus on “listening” through the skin surface at the physical point of contact.
Accessibility + What to Wear/Bring
EDAM’s studio is a ground-floor wheelchair accessible studio located inside the Western Front building at 303 E 8th Ave Vancouver V5T 1S1. The studio is through the first door on the left from the main entrance. The building has two ground-floor, single-stall gender neutral washrooms, one of which is accessible. There is a small lip on the front door of the building as well as on the inside door for the entrance to the studio.
EDAM is closest to transit stops at Broadway/Main (Buses: 8, 9, 19, 99). There is free street parking in the neighbourhood (check for hour-limits and permit signs) around Dude Chilling Park. Bike racks are located at the entrance to the building.
Please arrive 10 to 15 min beforehand to change and sign-in. Entry to the building is only granted 15 min before and 15 min after an activity starts.
We recommend bringing a water bottle and wearing long sleeves, pants, and layers for changing body temperatures. You may wish to wear light kneepads. EDAM sells dance kneepads at the studio for $40. To help us keep the space scent-reduced, please refrain from wearing scented products. Outside shoes are not permitted in the dance studio.
Membership
To participate in activities at EDAM, you must be a member.
If you are new to EDAM, please purchase a membership along with your registration.
EDAM Membership is a lifetime membership (one-time $5 membership fee).
Waivers
All EDAM participants (every person who attends an EDAM class, workshop or jam) agree to: EDAM's Waiver, EDAM's Values, and EDAM's Code of Conduct
Jam Refund & Cancellation Policy
Jam Cards are non-refundable and non-transferable. Jam Cards cannot be shared.
Drop-in purchases are non-refundable and non-transferable.
EDAM reserves the right to cancel jams for any reason or change the jam host if the scheduled jam host can no longer attend.
EDAM gratefully acknowledges the Coast Salish peoples; the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations, on whose traditional, stolen and occupied territories we live and work.